Bach Bibliography Search Result

Author : Zohn, Steven
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Type	List	Title [further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	When is a quartet not a quartet? Relationships between scoring and genre in the German quadro, ca. 1715-40.	FaschSt	6		1997	263-290
	2.	Bach, Telemann, and the Process of Transformative Imitation in BWV 1056/2 (156/1).	[p]AMS_MidAtlantic			Apr 1998
	3.	Bach, Telemann, and the Process of Transformative Imitation in BWV 1056/2 (156/1)	JMcol	17	4	Autumn 1999	546-584
	4.	Bach, Telemann, and the Process of Transformative Imitation in BWV 1056/2 (156/1)	[p]AMS_Kansas			Nov 1999
	5.	Music paper at the Dresden court and the chronology of Telemann's instrumental music.	[cr]Roanoke1996			2000	125-168
	6.	The Sonate auf Concertenart and Conceptions of Genre in the Late Baroque.	[p]BCB_Dublin			Jul 2000
	7.	New sources for Telemann's instrumental music.	MagdeburgTelemannSt	17		2001	57-70
	8.	Bach and the Concert en Ouverture.	[p]BCB_Logrono			Jul 2002
	9.	New Telemann Sources in the Archive of the Berlin Sing-Akademie.	[p]IS_Memphis			Nov 2003
	10.	The Sonate auf Concertenart and Conceptions of Genre in the Late Baroque.	18cM	1	2	Sep 2004	205-247
	11.	Images of Telemann: The 'good-natured kapellmeister' and other myths.	[p]ABS_NewBrunswick			Apr 2004
	12.	Der 'gutmüthige' Kapellmeister und andere Telemann-Mythen	TelemannKonfBer	14		2004	223-232
	13.	Telemann in the Marketplace: The Composer as Self-Publisher.	JAMSoc	58	2	Summer 2005	275-356
	14.	Bach's Borrowings from Telemann.	MagdeburgTelemannSt	18		2005	111-119
	15.	Sonate auf Concertenart und Concerto ripieno: Gattung und Stil in Telemanns Ensemblesonaten	TelemannKonfBer	11		2006	99-125
	16.	Bach and the Concert en ouverture.	BachPerspectives	6		2007	137-156
	17.	Aufführungspraktische Bemerkungen zu Telemanns Kammermusik	TelemannKonfBer	13		2007	315-336
	18.	Music for a Mixed Taste: Style, Genre, and Meaning in Telemann's Instrumental Works.				2008	xxxiv, 686p
	19.	The Chaconne in Schaffe in mir, Gott, ein reines Herz, TVWV 1:1241.	StMaterMw	49		2008	313-322
	20.	Das 'Supplement de souscrivants' der 'Nouveaux Quatuors' und Telemanns Pränumerationsunternehmen.	TelemannKonfBer	12		2009	43-56
	21.	Keyboard trios II / Carl Philipp Emanuel Bach.	CPEBachCW	2	3.2	2010	xx, 8, 110p
	22.	Aesthetic and Stylistic Mediation in Telemann's VI Ouvertures à 4 ou 6.	[p]ABS_Wisconsin			May 2010
	23.	Sources of Telemann's instrumental works in Dresden and elsewhere – a view from outside.	[p]Dresden			Jun 2010
	24.	Telemanns Witz: Burleske, Parodie und Satire in den Ouvertürensuiten.	TelemannKonfBer	15		2010	70-79
	25.	Das Instrumentalrepertoire der Dresdner Hofkapelle in den ersten beiden Dritteln des 18. Jahrhunderts: Überlieferung und Notisten. Sächsische Landesbibliothek - Staats- und Universitätsbibliothek, Dresden, 23-25 June 2010.	18cM	8	1	Mar 2011	168-170
	26.	'Die vornehmste Hof-Tugend': German Musicians' Reflections on Eighteenth-Century Court Life.	[ce]MusicGermanCourts			2011	413-425
	27.	Aesthetic Mediation and Tertiary Rhetoric.	BachPerspectives	9		2013	24-49
	28.	Bach, Telemann, and the Tafelmusik Tradition.	[p]ABS_SouthBend			Apr 2016